We will write a custom essay on Analysis of West End Blues by Louis Armstrong specifically for you. for only $16.38 $13.9/page. Order now. The growing popularity of jazz was helped by the availability of recordings due to new technology, and this helped the 1920s to become known as the Golden Age of jazz in New York One jazz composition of the 1920s was Louis Armstrong?s performance of West End Blues. This piece begins with an introduction by the trumpet lasting 10 bars, showing the incompleteness which creates the antecedent that will lead on to the consequent of the rest of the song. Beginning with a few descending straight crotchet notes rhythmic.
analysis of west end blues simply by louis. Throughout the 1920's brighten was beginning to sweep throughout America, becoming especially popular in the associated with New York. The status of African Us citizens was elevated at this time due to their distinct music becoming increasingly well-known, and jazz music advanced into an integral. West End Blues Analysis. 12 bar blues form. starts with a free flowing trumpet solo with no time signature. The other instruments then join and the main body of the song begins. The slow tempo, and the rhythms introduced become the theme for the rest of the song - many triplets. Rising hextuplets on the trumpet lead to the solo's on the. Louis Armstrong . West End Blues (For Unit 6: Further Musical Understanding) Background information and performance circumstances . The genesis and early development of jazz a re the subject of much debate. Recorded evidence from the early years of the twentieth century is slight. Much of the anecdotal evidence wa Louis Armstrong's 'West End Blues', The Day Jazz Changed Forever. It was June 28, 1928, when Louis Armstrong and the Hot Five recorded one of the landmark recordings of the 20th century. For. West End Blues was a sleepy Southern blues tune written by Joe King Oliver until it landed in the hands of trumpeter Louis Armstrong in the late 1920s, at a recording studio in Chicago. As.
Louis Armstrong - Context Louis Armstrong was an American trumpeter and singer who significantly contribute to the Blues, Dixieland and swing eras of jazz. Louis Armstrong is one of the most influential figures in the history of jazz. The grandson of slaves, he was born into a poor family i Analysis of Louis Armstrong - West and Blues 1928. Song : Louis Armstrong - West End Blues 1928. For the paper, write one paragraph that describes the ensemble and song as a whole, identifying which instruments are playing the lead melody and rhythm sections. Describe the way the instruments (and voice) sound and work together as a whole On June 28 in 1928, Louis Armstrong created one of history's landmark musical recordings in Chicago with West End Blues. The composition was written and originally recorded by Armstrong's mentor, Joe King Oliver, but Armstrong established himself as a genius and major influence of American music with the recording he made that day In the song, West End Blues, Armstrong clearly demonstrates his skills as a genius artist on the trumpet, as can be heard at 0:50, while also paying homage to the sultry tones common to the New Orleans jazz scene. West End Blues is a perfect example of a classic jazz song 'Nuff said. Technically, that's all I should have to write about the subject of today's entry, West End Blues. Louis Armstrong's 1928 performance of the tune has probably been the subject of more words and analysis than any other in the history of jazz
Stop-time trumpet solo by Louis Armstrong. The rhythm section is only playing beats 2 and 4. Note the virtuosic break at the end of the AB section. In place of a solo break at the end of the chorus, the band comes in with a syncopated figure. This figure is extended for a couple of bars before Armstrong comes back with the tune. 01:53 : AC: 18. King Oliver's West End Blues is one of the keystones of jazz and, therefore, American popular music, but even more than that, Louis Armstrong's 1928 version, cut with his Hot Five, is a towering achievement. Not only is it the version that cemented the tune in popular consciousness, it helped define what jazz could be Song : Louis Armstrong - West End Blues 1928. For the paper, write one paragraph that describes the ensemble and song as a whole, identifying which instruments are playing the lead melody and rhythm sections. Describe the way the instruments (and voice) sound and work together as a whole. Use vocabulary of rhythm and tempo [ After having listened to Louis Armstrong's West End Blues on your own and with the Voice Thread lectures, write a short analysis of the recording. You can use the listening chart that you developed to guide your writing. In your analysis, use musical vocabulary and apply some of the listening skills you have worked on Song Analysis Rubric - Popular World Music DIRECTIONS: Read the lyrics of the assigned song. lf possible, listen to an online recording. Follow the format below in preparing your analysis: TITLE OF SONG: WEST END BLUES RECORDING ARTIST: LOUIS ARMSTRONG 1. What is the meaning of this song? While this song is a little different than what I would listen to
On West End Blues. Brian E. Denton. Nov 23, 2016 · 3 min read. Louis Armstrong and his Hot Five band (Credit: Gilles Petard/Redferns) West End Blues is, indisputably, the greatest sound recording of the twentieth century. If the opening four notes of Beethoven's Fifth Symphony is fate knocking on the door, as Ludwig himself once. West End Blues Louis Armstrong Bb on the orginial Louis Armstrong recording Hot Five for Okeh Records (1928) 3 3 3 3 5 3
Potato Head Blues was recorded on May 10th 1927 in the Okeh Studios in Chicago by Louis Armstrong and the Hot Seven. It's not actually a blues, but we won't quibble about that because whatever it is not it is definitely a timeless Jazz masterpiece , West End Blues Bl 1925-30 Armstrong's vocal choices transform American popular Inspired visual artist, music Aaron Douglas and others to create with African-American themes Countee Cullen, Hughes, James Weldon Johnson, Sterling Brown, Zora Neal Hurston, literary artists with African-American themes 192 Louis Armstrong y a condensé et magnifié des trouvailles et des formules qu'il a patiemment mises au poin,au moins, une année durant. La synthèse géniale qu'il en opère ici fait de ce « West End Blues » un disque phare de toute la musique du XX° siècle
Create your own solo on West End Blues using techniques from Louis Armstrong Week 3 —Swing Jazz Topics Explored: Swing feel, rhythm changes, voice leading, Slight chromaticism, playin At the end I shall draw a comparison for the two. Louis Armstrong was born into a poor family from New Orleans on the 4th of August 1901. The neighbourhood in which he grew up in was known as 'The Battlefield which was part of a legal prostitution district with his grandparents. Duke Ellington was born on the 29th of April 1899 in. Oliver recorded West End Blues nine days before Armstrong, but it is Armstrong's June 20 version that made history. In it, he transforms Oliver's piece from an ordinary, slow blues into an. His first recording as a bandleader was held on November 12, 1925, marking the beginning of a prolific record production. Some of the pieces that became hits are Potato Head Blues, Muggles and West End Blues. Armstrong moved to New York again in 1929, then moved to Los Angeles in 1930 and soon after he starred in a European tour Potato Head Blues is a song that greatly represents the face of early jazz music during the early 1900's. Many of Louis Armstrong's roles in early jazz music became the pathway that jazz seemed to take. Iconic pieces such as this one include elements that were unique of Armstrong's styles
1920s of the trumpeter Louis Armstrong (1901-1971) and the pianist Earl Hines (1903-1983) one of the most important, fruitful, and influ-ential collaborations in American music.1 The recordings that resulted from the partnership are among the most prized in all of jazz, with West End Blues considered by some critics the finest recording. . Before Louis Armstrong jazz music was mainly about ensemble work featuring piano players and/or bandleaders, particularly Jelly Roll Morton but also others such as Fletcher Henderson, James P. Johnson, Willie The Lion Smith, and the up-and-coming Duke Ellington
In the new Oxford monograph, Louis Armstrong's Hot Five and Hot Seven Recordings , Brian Harker attempts to piece together the various influences that formed the young Armstrong's approach. The title of the book is a little misleading-Harker doesn't discuss all of the Hot Fives and Hot Sevens in detail; rather, he focuses on. Louis Armstrong was born on August 4, 1901 in New Orleans. His father abandoned him, and young Louis went to work to help support the family. On January 1, 1913, Armstrong was arrested for firing a pistol in the air and was adjudicated to the Colored Waifs Home
Jack Armstrong Blues 13. Ory's Creole Trombone 14. Weary Blues 15. Coal Cart Blues; 16. Down In Honky Tonk Town 17. I Can't Give You Anything But Love 18. Muskrat Ramble 19. Perdido Street Blues; 20. Long Long Journey (Live) 21. West End Blues 22. The Blues Are Brewin' 23. Hotter Than That 24. Do You Know What It Means To Miss New Orleans. Smith entered the recording industry just as both blues recordings and so-called race records were entering a period of vogue. Down Hearted Blues was recorded in the fertile year of 1923. It was written by two female songwriters and blues artists, Alberta Hunter and Lovie Austin. Both women had notable musical careers In July, Armstrong sailed to England for a tour. He spent the next several years in Europe, his American career maintained by a series of archival recordings, including the Top Ten hits Sweethearts on Parade (August 1932; recorded December 1930) and Body and Soul (October 1932; recorded October 1930). His Top Ten version of Hobo, You Can't. Between 1925 and 1929, Louis Armstrong created one of the first great bodies of work in jazz. While he worked regularly as a soloist with big bands, he began his career as a leader with the first all-star studio group in jazz, the Hot Five. West End Blues, Potatoe head Blues - what a musical genius it took to produce such music !!! I. Lyrics to 'West End Blues' by Louis Armstrong. NEW ALBUM: XXXTENTACION - 'Bad Vibes Forever' - Track-List! NEW ALBUM: Lil Wayne Drops New Album 'Funeral' ft. Adam Levine
Louis Armstrong's 1928 performance of the tune has probably been the subject of more words and analysis than any other in the history of jazz. Gunther Schuller devoted page after page to it in 1967's Early Jazz, writing, The clarion call of West End Blues' served notice that jazz had the potential capacity to compete with the. A closer examination of Baldwin's use of jazz and blues forms and of Louis Armstrong, Charlie Parker, the character Creole, and the song, Am ics of the blues . . . .3 When Sonny plays the blues at the end of the story, tage that can be traced back through the years of slavery to West Africa with its concomitant blues tradition that. Louis Armstrong Weather Bird West End Blues* Hotter Than That Potato Head Blues* Jelly Roll Morton Doctor Jazz Dead Man Blues Grandpa's Spells Fletcher Henderson Wrappin' It Up Hotter than 'Ell* Count Basie 1:00 Jump Jumpin' at the Woodside* Duke Ellington Concerto for Cootie Take the A Train* Cotton Tail* A few. Armstrong's recordings of Weather Bird and West End Blues remain today as some of the most famous and influential improvisations. He began to scat sing (improvised vocal jazz using nonsensical words) and was among the first to record it, on the Hot Five recording Heebie Jeebies in 1926 Music Analysis: West End Blues Fatha Music Analysis: Weather Bird Armstrong's Later Career White Chicago The Austin High Gang The Chicago Style Bix Beiderbecke (1903-1931) Cornet/Piano/Composer The First White Innovator Music Analysis: Singin' the Blues Tram The Demise of the Chicago Scene Classic Blues
West End Blues Louis Armstrong & His Hot Five West End Blues (OKeh, 1928) The heraldic leadoff cadenza; the theme statement like a Platonic ideal; the breathtaking ascension of arpeggios climaxing in a high B-flat; the final chorus opening with that same B-flat held for four dramatic bars; an eruption of glorious free phrasing; out. Beginning in 1925, Louis Armstrong and his Hot Five supplemented the occasional use of sheet music with head arrangements and spontaneous ideas generated in the studio to achieve an identifiable sound, leading to recordings like Heebie Jeebies (1926), Struttin' with Some Barbecue (1927), and especially West End Blues (1928. Louis Armstrong, Louis Armstrong, In His Own Words: Selected Writings, ed. Thomas D. Brothers (New York: Oxford University Press, 1999). Brothers' introduction to the Karnofsky Document is short but does an excellent job of summarizing the various contradictions in Armstrong's many versions of his childhood In June 1928 Louis Armstrong made history with a series of recordings for Columbia with his Hot Five, an ensemble that included pianist Earl Hines. Their performance of King Oliver's masterpiece West End Blues is a landmark recording in jazz, inducted into the Grammy Hall of Fame in 1979 Others include chimes blues that were recorded in 1923, Cake Walkin' Babies from Home recorded in 1925, West End Blues of 1928 and Star Dust in 1931 4. Armstrong and race relations Armstrong lived during a time when racial segregation was the norm
(soundbite of louis armstrong's west end blues) DAVIES: Michael Cogswell, whose life's work was devoted to preserving the legacy of Louis Armstrong, died last week at the age of 66 from. Louis Armstrong (1901-1971) Bix Beiderbecke (1903-1931) SUGGESTED LISTENING Blind Lemon Jefferson: Black Snake Moan (1927) Listen to a performance; Bix Beiderbecke : Royal Garden Blues (1927) Listen to a performance; Louis Armstrong: West End Blues (1928) Listen to a performance. 46.7 JAZZ IN THE 1930's. Swin
9780205880119. Availability. Live. Instructor's Manual with Test Bank (Download only) for Jazz Styles, 11th Edition Jazz Demonstration Disc for Jazz Styles: History and Analysis, 11th Edition MyTest Test Bank for Jazz Styles, 11th Edition. Websites and online courses A hot jazz ensemble traditionally includes a trumpet (or cornet), clarinet, trombone, tuba, banjo, and drums. Being the highest pitched brass instrument, the trumpet, or cornet, takes charge of the melody for the majority of the song. On the other hand, the tuba is the lowest pitched brass instrument and thus holds the bass line The Louis Armstrong Discography: Swinging In the Thirties (1932 - 1942) Now comes a plateau in Louis' career, a decade when he embraced his career, his popularity, and most of all his musical groove. Though some are quick to malign this period, in actuality there is much to enjoy and little to dislike. Armstrong was experiencing an admirable.
Street cries (1:21) ; African-American retentions sequence (2:07) ; Dixie jazz band one-step (Original Dixieland Jazz Band) (2:34) ; West End blues (Louis Armstrong & Earl Hines) (3:13) ; You've got to be modernistic (James P. Johnson) (3:11) ; Cottontail (Duke Ellington & Ben Webster) (3:06) ; Harlem airshaft (Duke Ellington, Barney Bigard. Improvisational Music Analysis 936 Words | 4 Pages. Louis Satchmo Armstrong, often called the grandfather of jazz, pioneered the artform and to this day is considered one of the most influential musicians of all time. When asked to describe jazz, he famously responded If you have to ask, you'll never know NHL.com is providing in-depth roster, prospect and fantasy analysis for each of its 31 teams from Nov. 16-Dec. 16. Today, the St. Louis Blues West End Blues - Louis Armstrong and Earl Hines, 1928: Jazz had brought together ragtime syncopation, the blues, and European instruments in New Orleans at the turn of the century, and within. The Complete Hot Five And Hot Seven Recordings is a 2000 compilation album collecting all the recordings made by Louis Armstrong and his Jazz band The Hot Five and The Hot Seven between 1925 and 1927. The four-CD set is of great historical importance as these recordings laid the foundation for not only Jazz, but much of modern music we know today.They are full of beauty, creativity and innovation
Louis Armstrong, one of the greatest entertainers of the 20th Century, exuded joy and exuberance as a trumpet player and singer. He rose from poverty in New Orleans, before achieving worldwide fame As a side note, the famous cadenza from West End Blues is convincingly explained as inspired by arpeggios exercises Armstrong was practicing (see samples of classical cadenzas in Arban's method) Finally, Prof Brothers include throughout the book references to recordings, giving the time in seconds where the examples he mentions are played She used that gritty power to make the iconic recording of St. Louis Blues in 1925 with Louis Armstrong. The song was a ridiculously huge hit, and did a lot for Handy's career. But according to Studs Terkel, the shift towards a slick popular form of the blues would deepen Bessie's sorrow and intensify her drinking (40). After a streak of.
You don't have to understand the brilliance of Armstrong's 1928 opening cadenza on West End Blues'' to admire a man who spent his life dispensing sunshine to millions. It's this Louis Armstrong that emerges in Laurence Bergreen's exhaustive new 564-page biography Louis Armstrong: An Extravagant Life.' West End Blues / Fireworks: Louis Armstrong and His Hot Five: 1: 1928: No Papa No / Basin Street Blues: Louis Armstrong and His Hot Five: 1: Showing official release groups by this artist. Show all release groups instead, or show various artists release groups. Artist information Sort name: Armstrong, Louis and His Hot Five Type